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Puppet Kaos - where Kelvin Kao plays with puppets and tell random stories

It’s a Monster World (Review)

Last week, I went to It’s a Monster World, a new musical by Emmy Award-winning puppeteer Michael Earl and film maker Roberto Ferriera, and performed by Puppet School‘s advanced TV puppetry students. It was performed live in the North Hollywood Park Auditorium in front of a sold-out audience (of roughly 200, if I counted and did the multiplications right) and also shown on the public access channel (huh, those still exist?). To give you a quick idea of what it was like, here’s a picture taken from Puppet School’s Facebook page.

The show was sort of a hybrid of TV and stage puppetry. The puppeteers wore black but were visible. The main part of the action was defined by the camera frame and was projected onto the big screen, while there could be extras off camera as well. Consider a party. The main characters would be talking and you’d see them on the screen (the TV element), but on the side and in the back of the stage you got other party goers there as well (the stage element). Of course, there was that obligatory closing musical number at the end of every musical where the whole cast came out to sing together (See picture below). That part, was, of course, more stage-y. But really, in the cases of TV puppetry where the camera angle don’t change much and the character doesn’t actively play with the camera (like Elmo does), it’s a little like stage too. I don’t think there’s always a clear separation.

The story took place in Monstertown, formerly Weaselville (something like that, I don’t remember the exact names). The town was populated by weasels but was later taken over by a bunch of rude monsters. A weasel girl sneaked into the Monster Ball in disguise with her monster friend, met this really nice weasel boy and fell in love. However, others discovered that she was not a monster and proceeded to try to catch her and throw her out. Ah, unlikely love between people from different groups that would not accept each other, what would musicals do without you?

Anyway, later in a confrontation, it was revealed that the governor (or was it mayor?) was the one that was in love with the weasel girl’s grandma but that was a love that could not be because the two groups couldn’t accept each other. And he got bitter and angry, changed the town’s name to Monstertown, and forbade the two groups from mingling. But of course, grandma’s love melted his heart and he decided that we should all love one another like we used to and musical number ensued about how together we stood ten feet tall. The end.

It was a nice story, and somewhat predictable too but not in a bad way (as in, you clearly knew who you were rooting for and you knew what they needed to do to pull it through, and guess what, they did, hooray!). I enjoyed the story, the jokes, the songs, and the references to other musicals and pop culture. But most of all, it was fun to watch 19 puppeteers perform at the same time. There is truly something magical about puppet shows, and all those people in the audience (adults who are likely kids at heart) could probably tell you that. And it was definitely a plus that several of the performers are my friends. That always makes things even more fun.

If I am to be picky about anything from the show, I’d say that the audio wasn’t handled very well (understandable though for a venue like this). They needed to be more careful about the placement of the headsets, boom mic and monitors to prevent feedback. The lighting didn’t bring out the colors of the puppets very well, but on the other hand (okay, there’s potentially an unintended puppetry pun here somewhere), it was about a gloomy part of town. So maybe that was intended. And also, I kinda wish I had signed up for the class because it looked like a fun group of people with whom to work on a show. But hey, it was great to watch as well.

The show was performed by Keiko Agena, Laura Barbera, Ben Bell, Rich Corbin, Jennifer Dohn, Michael Earl, Keith Ferguson, Tricia Gilfone, Andrew Hamilton, Heidi Hilliker, Chett Hoffman, Traci Kato-Kiriyama, Paddy Ja Lee, Jennifer Newfield, Heiko Obermöller, Minoo Rahbar, Jenny San Angel, Henry Watkins, and Dennis S. Wilkes.

To see more pictures from the show, visit Puppet School’s It’s a Monster World photo album on Facebook, where I took these two pictures from.

And for the people that’s been Googling “it’s a monster world michael earl review” and ended up on this site these past few days: I hope you are happy now. 😀

Ads, Ads, Ads

I don’t really advertise anything here, but here are a few things worth advertising for and/or are ad-related.

Get Cookie Monster to Host Saturday Night Live!

Want to see Cookie Monster host Saturday Night Live? I would. It would be interesting to watch. If he’s on, it would give me a reason to watch SNL, for once, as I usually don’t find it to be all that funny. (They have some good skits sometimes, but those usually go viral on the internet, so why bother sitting through the rest of it?) But hey, if Cookie Monster can speak at a commencement, why not SNL? Support him here.

It’s a Monster World!

Michael Earl’s students from the advanced TV puppetry class will be doing a graduation show on December 13 in West Hollywood. It’s a musical called It’s a Monster World and I am going. Anyone else want to come?

This looked really fun, and I have several friends that’s going to be in the show, so I have to say, I wish that I had been a part of this. Now I will just regret preliminarily (or should I just call that pregret?) for not signing up for the class and maybe regret officially after seeing the show. And then retract the regret (ungret?) when (if) the class is offered again.

It’s weird. His classes just seem to get awesomer and awesomer. That actually made me not want to sign up for the class right away, because I was expecting it to get even more awesomer. That said, I am signed up for the theater puppetry class next year. To check out all these puppeteering and puppet-making classes, go to the Puppet School website.

Farmers Commercial

Two weeks ago I was casted in a Chinese radio commercial for Farmers Insurance. I went into the recording booth to play a 7-year-old’s dad. The commercial will air in February, I believe. So here it is, my voice coming to Chinese radio stations everywhere next year. (By everywhere, I mean everywhere in the U.S. that actually has a big enough Chinese population to support a radio station, which is probably not that many places, but whatever, it’s still kind of cool.)

I seem to book one voice-over job per year. It’s a good thing that I don’t do it for a living, or I would certainly starve. 😛