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Puppet Kaos - a blog by Kelvin Kao about puppetry, video-making, and other randomness

Seamus and Magellan frame grabs

As some of you might have aleady known, I’ve been involved in a short film by writer/director Allyson Schwarz called Seamus and Magellan. We filmed in February and the film is now in editing. Here’s several frame grabs. Look for me.

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So… did you find me? No? Good. That means I did a good job hiding behind/below the bed.

I was the one puppeteering the koala bear, although you’d have to take my words for it, since you couldn’t see me. When you are a puppeteer, you become the expert of hiding below or behind something. In fact, I’m so good at this skill that I’m going to start coaching people. So let’s say if you are a man planning to have a fling with a woman at her place and she has a real jealous boyfriend or husband that just might just come home unexpectedly through the front door that’s 15 seconds away from the bedroom and there is only one door so you can’t get out of the room and there’s no closet for you to hide in so you can’t use what you learned from R. Kelly and it’s on the 8th floor so you can’t just leave through the window and the only thing you can do is hide below or behind the bed, then my expertise in hiding can help you. Before you go and do anything stupid, let me coach you first.

Of course I’m joking, but you are welcome to pay for the non-existing service anyway. Here you go. :-D


Related Posts:
Seamus and Magellan: Day 1
Seamus and Magellan: Day 2

Seamus and Magellan - Day 2

Sunday was my second day of filming Seamus and Magellan. It’s Day 3 for the project over all. We were only filming one scene, but it was one of the longest scenes in the script. I was only in the first half of the scene. Dylan was the only one that’s working throughout the whole scene. Callard and I were both only in the first half, and Cornelia was only in the second half. I actually only had two lines in this scene. I like the fact that I didn’t have too many lines. I think this puppet is more expressive when he’s focused on an action that’s not talking.

I actually had a lot of downtime today. We filmed a wide shot with all three characters, and then I waited some time while they did close-ups on Callard and Dylan. The close-up shots on the puppet was filmed after their shots were done, so I had plenty of time to talk to people that I didn’t really get to talk to the day before. I had a little chat with the production designer Leslie, the make-up artist Melody, and script supervisor Rebecca. They do more waiting-around than the lighting and camera people. It was nice to get to talk to them a little bit.

The most fun and most time-consuming scene today was probably the one that called for smoke. A fog machine was used and it sure fogs up and stinks up the room. And every time it was used, we had to wait for the smoke to clear out before we do another take. It didn’t smell good but it was a fun one to film.

Dylan’s mom and sister Ellery came to visit today. Ellery is such a cutie! And the whole family is so nice and friendly. I really like them. Actually everybody involved in this project was pretty nice. It was a good working atmosphere.

So I filmed the close-ups: my two lines and a bunch of reactions to scenarios. And that was it for me. They had a few more days to go, but I was only needed for those two days. It was a fun experience and I certainly wouldn’t mind doing something like this again!

I’ll probably share more details in the future. And I’ll mention it when the film is coming to a theater near you. (Of course, at first that would mean you live near UCLA for that theater to be near you.)

Related Post:
Seamus and Magellan - Day 1

Seamus and Magellan - Day 1

This past weekend I’ve been puppeteering in Pasadena in Seamus and Magellan, a film by Allyson Schwarz. The main character is a 10-year-old boy named Sam (played by Dylan Sprayberry). The story is about when Sam’s older brother, Jonas (Callard Harris), leaves home, he is forced, in no small part by his mother, Anna (Cornelia Guest), to start growing up. When his Goth sister, Anna (Michelle Page), tells Sam about the ‘forgotten brother’ locked away in the closet, Sam’s imagination goes into overdrive and out come the seemingly harmless imaginary friends Seamus (Callard Harris) and Magellan (moi) who are all about fun and games, though not all of the games are harmless….

My job is to puppeteer Magellan, who is an adorable, talking koala bear who is comedic relief and sweetness to juxtapose the darker Seamus. He is always trying to get in on the action and be everyone’s friend. I think the writer/director is definitely giving herself a challenge by including a kid AND a puppet in a film, but hey, that’s also what makes it more fun.

So Saturday was Day 1 for me (For the project overall it was Day 2). I drove to the house that we are filming in. It was a house on some hill, and I wasn’t sure if I was at the right house until I looked up and saw some people rigging some lights outside the house. I was then greeted by the A.D. Maggie and taken into the house to meet the rest of the cast that’s filming that day. I already met Callard during rehearsal, pretty cool and energetic guy. And then I met Dylan and his dad. Dylan is such an adorable kid! We did some run-throughs with the director Allyson and then started filming.

This was definitely the most professional production I’ve been to. I’ve done a few videos in college with friends but nothing to this scale. They have a professional film camera instead of the cheap mini-DV stuff we college students (well, I was one) have gotten used to. They have a team of camera people where they are constantly checking to see which lense to use, measuring what to set the focus to with measuring tape, and using a slate and stopwatches to keep things organized. There’s a whole lighting team that’s always adjusting the lights in conjunction with using natural sunlight. And they keep measuring the lighting conditions they are getting at each part of the shot. And then there’s a sound mixer and a boom guy on headsets working together trying to get the best sound. There’s a make-up artist and production designer too. This is definitely different from the student group productions where we just ask whoever that’s not in the scene to hold the camera, ask someone to turn on a few lamps for good enough lighting, and cranking up the sound in editing because we didn’t record them well. I must say, the degree of professionalism and the attention to details is very inspiring. It definitely made me think about production values a lot more. (Of course, this kind of filming would take a lot longer compared to the home-movie style stuff.)

During the down time, I’m usually hanging with Dylan and Callard since we are on the same schedule. The sound, camera and lighting people just seem to be so busy all the time. When we are not filming, they’d still be running around grabbing things and setting up for the next shot. They are just so busy all the time, so I can’t really hang out with them. It’s funny that when Dylan and Callard interact, they are like real brothers. And I think it’s good that we three are hanging together in between shots, since that’s what our characters do in the story. It’s also more convenient for us to go over lines. And we’ve been talking about super powers. That’s always a fun topic. It was also interesting to watch Dylan and his dad interact. It was very sweet, and you can tell that they really care for each other.

It was nice to be given my own monitor to look at while I puppeteer. It definitely helped, since I was usually hiding behind or below something and couldn’t see what the puppet was doing without the monitor. Puppeteers actually tend to have more of a say in terms of what a shot would look like than regular actors, because actors just perform while the puppeteers are usually performing and watching their performance at the same time. To a degree, they help design the shots too.

Oh, and the lunch was way better than I thought. It’s good to keep the cast and crew happy, hehe. Will write about Day 2 soon.

The Elephant Room

In this spring’s LCC quarterly production, I produced, directed, and performed in a puppet sketch called “Accent Elimination for Animals.” Here is a picture taken by Lydia. From left to right: Scott and I on Professor Bottle Monster, Aki on Bobby the lamb/sheep, and Peter on Moostifer.
Accent Elimination for Animals

And then we have two more furry puppets next to each other. This picture is taken by Kimmie. I believe that was my hand in the blue one and Clara’s in the yellow one. I don’t remember now. It’s not important anyway.
Blue and yellow furry monsters

Soon I’ll put up more videos and pictures of them. I’ll also have tutorials on how to make your own! :-)

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